"Band Members: chris cunningham: guitar, piano, bass, violin, mandolin, xylophone, paranoid words, intrusive gestures. brantley duke: singing, xylophone, percussion, looking good matt badger: Lt. Commander of percussion Bio: So, here is the story of the birth of a band. Once upon a time, Chris Cunningham was created in Seattle. His father was a drummer, his mother was a singer, and his brother was a guitarist/pianist. Chris learned guitar, than drums, bass, and piano. He started playing in bands around Seattle (with his brother and father) when he was 13. For the next 11 years he played in bands ranging from math rock, technical hardcore, post punk and melodic indie. In 2007, after obtaining a BA in Cultural Anthropology, Chris got hired as a private contract teacher in the Marshall Islands. Bringing only an acoustic guitar and 4-track, he traveled to his assignment at a small boarding school in the outer island community of Jabor, Jaluit. It was here on this isolated atoll, nestled within the simplistic elements of acoustic guitar, ukulele and choral music, where the seeds of Ravenna Woods were planted. Chris returned to Seattle in 2008 and met Brantley Duke, a local record engineer and musician. Within two months of their introduction, the pair began writing and playing music together. They shared a common interest in dark melodies combined with intricate vocal harmonies. In the spring of 2009, a talented Seattle drummer by the name of Matt Badger was introduced to Chris at a show. Matt had heard demos of Chris and Brantley’s musical exploits, and was interested in establishing contact. After a 5 minute conversation, Matt was invited to join the project. The trio spent the summer of ‘09 practicing and writing together, then began recording a full length album (Demons and Lakes) at the recording studio conveniently located at Cunningham’s house (Little Room Studio). Since the album’s release, Ravenna Woods has been enjoying a large amount of local hype, consistent airplay on Seattle’s KEXP 90.3, and very favorable press from local and international sources. The sound can best be described as innovative acoustic indie music that weaves together haunting vocal harmonies, complex finger picking, and unconventional percussion into complex song structures."

"Bad Books simply put is Kevin Devine and Manchester Orchestra. A true accident if there ever was one; Bad Books was never an intended nor calculated side project of Kevin Devine and Manchester Orchestra’s Andy Hull. Though the two musicians have collaborated and performed together on tour and within the Favorite Gentlemen community of artists for years now, the genesis of Bad Books came from a simple idea to fill space and time off the road by collaborating on a small batch of songs together at the top of the year. With no agenda and no expectations, what was birthed just one week later was Bad Books, a fully realized album encompassing five compositions each from both Devine and Hull, with the members of Manchester Orchestra filling out the sound and the band. 

The self-titled debut will be released October 19th, 2010 via Favorite Gentlemen Recordings, the record label that was founded and has been run by Manchester Orchestra since 2007. As songwriters go, Hull and Devine could not be further apart in terms of creative approach. The methodical wordsmith Devine, an English major from Fordham, is known to pine away for great lengths of time just to accurately pin-point one word within a lyric. “I was doing a take of ‘You’re A Mirror I Cannot Avoid’ and stopped myself for fifteen minutes because I was having trouble justifying ending two lines in the same chorus with the word ‘back.’ Just sitting there, staring at the screen, writing different word choices. I asked Andy if he thought it mattered, and he said, ‘Of course it doesn’t.’ Somewhere in that exchange is I think what differentiates us as songwriters. I think Andy trusts his instincts to lead him to the right place in a song, and sometimes I want to outthink my instincts because I’m scared of repeating myself, of resting on my laurels. And I think together, those two approaches meshed really, really well,” Devine said. Hull echoes that sentiment: “Kevin is very meticulous, where I came in with a few ideas and fleshed them out literally as we were recording. Kevin’s songs were awesome and he was cool enough for me to throw in some ideas to change a part or add a bridge here or there.” 

In contrast to previous outputs from Manchester Orchestra and Devine, Bad Books cradles a much more noticeable pop aesthetic and energy than either artist has probably ever showcased before. Nowhere is this more evident than in songs like “You Wouldn’t Have To Ask” and “Holding Down the Laughter”. Engineered by Robert McDowell (of Manchester Orchestra) with help from drummer Ben Homola, and mixed by Chris Bracco (of Devine’s ‘Goddamn Band’), Bad Books progressed in the most organic and natural way possible. Free from any boundaries or restrictions, Devine and Hull were able to craft a beautiful body of melodies, highlighting arcs of high and low throughout, and utilizing the stark imagery and storytelling for which both of them are known. “There was no governing framework,” Devine says: “No, ‘let’s write these kind of songs and say these kind of things’. We just wrote, arranged and played each song to its end, followed where it led, and I think it brought us both to some pretty unexpected places.” For Devine, Hull, and the rest of Manchester Orchestra, choosing the direction of the road less travelled resulted in sonic harmonies and woven textures that meshed what these best friends do best. Some accidents were just meant to be."